“I watched this movie twice. I frame by framed. I took pictures of every single wine label, and they did something that makes me infuriated. They used fake wines.”
sputnikintelligence.com
Introducing Get Out as his Halloween pick, the host explains the show's usual game of naming the real wines in a film. Here the labels on screen are invented, so he sets out to recast what the characters would really be drinking.
I'm having some very, very, very cheap Sauvignon Blanc I bought for cooking wine, but I had nothing else to open during this podcast. So here I am.
I love it. Still goes okay, my friend.
…years, like fireside storytelling. That's what this movie feels like. It feels like a great storyteller is telling you a tale. It's kind of, you know, of ghosts and goblins and demons and whatever else. And, and, but so the wine now, when we get. Into this, there are two big wine scenes. And I want to do something very different than we normally do on this podcast. There are two wine scenes, and I watched this movie twice. I frame by framed. I took pictures of every single wine label, and they did something that makes me infuriated. They used fake wines. And so there's one scene where our protagonist, the black man, meets the family. They have the first dinner together. It's very tense. Allison Williams' brother, who is a very played by Caleb Landry Jones, a very good actor, but he's a very twitchy, disturbing actor in general, but also in this character. And he tries to do what I would classify as like a jujitsu. He wants to fight her…
Oh, okay. Jeez. Okay. All right. And
so you living in Napa. I'm working in this industry. We're going to get ourselves in some shit here because there's one more scene to go that's even worse that happens in this movie. Okay. So I would like to ask you: Yeah, you have Bradley Whitford's character. Yeah. He wishes he could have voted…
Yeah. Yeah. He's drinking