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Tamler Sommers

Things Tamler Says on Podcasts

Philosopher who works on moral responsibility, free will, cultural diversity and honor, with a Ph.D. from Duke. Author of A Very Bad Wizard, Relative Justice and Why Honor Matters, and a professor of philosophy at the University of Houston. Co-hosts Very Bad Wizards with psychologist David Pizarro, a long-running conversation between a philosopher and a psychologist about moral questions, films and books. Has also appeared as a guest on Two Psychologists Four Beers.

Where to Find Them

Tamler Sommers hosts and writes Very Bad Wizards . They have also been a guest on Two Psychologists Four Beers .

Recently: “The Lotus Eaters Episode 11: Cleaning House” on Very Bad Wizards (October 2026); “Episode 342: A Boy's Best Friend (Hitchcock's "Psycho")” on Very Bad Wizards (October 2026); “The Lotus Eaters Episode 10: Like-Minded [unlocked]” on Very Bad Wizards (October 2026); “The Lotus Eaters Episode 9: An Ode to Argos [unlocked]” on Very Bad Wizards (September 2026); “Episode 341: Psychology Ranked (With Paul Bloom)” on Very Bad Wizards (September 2026); “The Lotus Eaters Episode 8: Home and Homelessness [unlocked]” on Very Bad Wizards (September 2026).

What They Said

The hosts are reading the end of the Odyssey, where Odysseus kills the suitors who have taken over his house. Sommers notes that the poem treats them as an infestation and that Odysseus fumigates and scrubs the hall afterwards. He offers this as a way to read the killing as purification rather than justice, which would explain why some less guilty people die too.

Very Bad Wizards · 2026-10-08 Permalink → Listen →
Very Bad Wizards Around 04:17 into the episode
Tamler Sommers

If you were like a pain in the ass.

David Pizarro

If you're a liberal. But, you know, at the very beginning in book 20, Odysseus is worried. He's like, all right. So say my plan works and I kill them. Like, what's going to happen to me? Like, I worry that people are going to come after me. Where can I run to escape my punishment? It's like he kind of knows that he might be maybe deserving of punishment if he meets out the revenge in the way that he's going to.

Tamler Sommers

Yeah, there's two ways you can look at that. That's absolutely right. Like, is he just as a practical matter that starts a cycle of violence with now their families and stuff like that? And you'll see that will be alluded to in the later books. Not just alluded to, it becomes like a final plot point. But then also, like, does he think he might deserve it, but he has to do it anyway? That's what I mean. Like, because they've talked about the suitors as if they have been from the start, like an infestation on the house. Like, even just the sheer numbers of them are like, you know, just sort of getting out of control. They seem to multiply. And they are, as you said, defiling the house. They're making it impure. You know, the stuff that he does at the end after the battle with the fumigating and scrubbing and the sulfur, like, you know, it's like tenting your house. And yeah, the termites should die and probably the roaches. You're not, nobody's going to shed a tear. But, you know, you might get some little poor rabbit or frog that was in your crawl space and that's going to die too because the house needs to be cleansed because it's rotten. It's being eaten from within. And so like, sometimes I think of it also in those terms. Doesn't mean it's not just, certainly doesn't mean that someone like Antinous or Eurymachus doesn't deserve to die because I think they do. But, you know, there's some other questions about some of the other things and what Telemachus does to the slave girls. Yeah. Melantheo, man. Oh, man.

David Pizarro

So like, just as my personal journey of this, I was talking to my wife about like where we were in the book. I was like, so I know like that everyone's going to die. I have no idea, though, like exactly what happens. So I like had no idea how bloody graphic. What I knew just from like living in culture was the axes and like the arrows. And then like I kind of knew then that, you know, he would kill everyone. But I did not know he would be chopping off like fucking Sicario style.

Tamler Sommers

Yeah, like penises and penises and then hanging, hanging bodies. Yeah. And then just that he's doing all of this like buck naked and just has like blood and guts all over him. Like

David Pizarro

you think we're going to get full frontal in the Nolan? I had

Speaker names from our own diarization · position estimated from where the line sits in the episode
“Why do we want that car to go down? … I think it's because we just watched him do all this work. He really takes us through the cleanup. And it's like, we didn't just watch all that and now the car won't go down.” — Tamler Sommers, Very Bad Wizards

The hosts were discussing the scene in Hitchcock's Psycho where Norman Bates sinks a car in the swamp and it stalls halfway. Sommers was puzzling over why an audience that had been on the victim's side minutes earlier finds itself hoping the car goes under. His co-host said he had never thought of it that way and agreed.

Very Bad Wizards · 2026-10-06 Permalink → Listen →
Very Bad Wizards Around 1:09:05 into the episode
Speaker 4

Totally. So then you get this long cleanup scene. And it just seamlessly switches from her perspective to his perspective. Now we are with him as he's doing all this cleaning. And it's so brilliant the way, okay, now like we've been passed off to this guy now. And, you know, like famously, when he takes the car finally, he's done with the cleanup and it goes into the swamp and then it goes down and he's kind of nervous, eating the candy, watching it go down. And we're like right there, like we want the car to go down. And then when it stops, we're like, oh, shit. You know, even though we were just so on Janet Lee's side, now all of a sudden we want the car to go down.

Speaker 2

Incredible. Like you said, seamless. Because in that moment when the car isn't going down, like, I'm sorry, you just feel it. You're just like, and his performance there is just like his turning around and looking. It's just so natural. It's so well done. And you're like, oh, shit.

Speaker 4

And he's kind of praying. You know, he's got his hands together and kind of a praying thing. And I think, like, why do we want that car to go down? You know, because it's weird. I think it's because we just watched him do all this fucking work. You know, like he really takes us through the cleanup. And it's like, we didn't just watch all that and now the car won't go down or something like that. Like, I think that's one of the ways he gets us to, you know, like that has to lead to something, you know?

Speaker 2

Yeah. I think that's totally right. Like, I never thought about that, but that is that for sure gets me. Like, you're kind of satisfied at like all the cleanup, you know? Yeah. And it's weird because it is so fast because that amazing shot of the drain swirling, you know, the chocolate sauce and then her eye. And that's when like it hits the hardest to me that her story is over. Is it like her lifeless eyes and then just the cleanup? Like it's just boom. Like, okay.

Speaker 4

Yeah. So then we go to a hardware store, which is Sam Loomis's, where he works. And a weird scene with the woman feels like it's significant, you know?

Speaker 2

Yeah, but you don't know why. Yeah.

Speaker names from our own diarization · position estimated from where the line sits in the episode
“I kind of like the reading that there are clear traditions where she knows and clear traditions where she doesn't know. … I like the Schrödinger's Penelope here.” — Tamler Sommers, Very Bad Wizards

The two hosts have been arguing over whether Penelope recognises Odysseus before he reveals himself. Sommers stays on the fence: he thinks she at least has more hope than ever, and that Homer left some mystery in on purpose.

Very Bad Wizards · 2026-10-01 Permalink → Listen →
Very Bad Wizards Around 51:25 into the episode
Tamler Sommers

Yeah. And then she says she's going to go cry. Yeah. And then she says, I've been crying since you went off to Evilium, the town that I will not own, but it's totally Troy that I named it for. Except like 10 minutes ago. Yeah. So then when you think like in her room, when this is in her room, she cried for her dear husband, that she's just crying. Yeah, she just saw him. I'm like, oh

David Pizarro

my God. Yeah. I think, but again, that in particular could be read either way.

Tamler Sommers

Yeah. You know, I'll just say, like, I kind of like the reading that there are clear traditions where she knows and clear traditions where she doesn't know. And like, I like the Schrödinger's Penelope here. Sure. And I, like, I feel deeply that at minimum, at a minimum, she has more hope now that this might be him than ever before. Yeah. Like, whether or not she knows explicitly, like, I'm still on the fence, but I think you have compelling reasons and that you can choose that reading if it's like emotionally satisfying. Yeah. But it does feel like Homer didn't have, like, he just put in some mystery there for us.

David Pizarro

Yeah. He certainly didn't settle the question. And to the extent that there is a surface reading, it's clearly that she doesn't. I just think a lot of the other stuff doesn't fit together quite as well. And

Tamler Sommers

like in particular, like at this very end when they come up with the test, it seems like a very quick agreement where it's like a test that's devised that Odysseus obviously knows is one that he could pass and that nobody else could. And like all throughout, Homer's reminding us, scheming Odysseus said, yeah, do it. Shrewd Penelope said that, you know.

David Pizarro

Yeah, exactly. I mean, you know, they do get these epithets all the time. I know, but

Speaker names from our own diarization · position estimated from where the line sits in the episode

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