Paul Ford

Things Paul Says on Podcasts

Writer and co-founder of Aboard, who has published essays and stories on Ftrain.com since 1997 and writes about software, AI and vibe coding. Co-hosts The Aboard Podcast with Rich Ziade, with episodes on AI, shipping software and guests such as Charity Majors and Josh Tyrangiel. Has also appeared as a guest on Slate Money, The Vergecast, Design Better and On the Media.

Where to Find Them

Paul Ford hosts The Aboard Podcast and hosts The Stack Overflow Podcast . They have also been a guest on Slate Money (5 times) , On the Media (3 times) , Design Better (2 times) , The Vergecast (2 times) , CodeNewbie , The Most Interesting Thing in AI , Rosenfeld Review Podcast , Design Better , Reply All , Recode Media , Finding Our Way , AI & I and The Morning News .

Recently: “Is Jev the New Shape of AI?” on The Aboard Podcast (September 2026); “Charity Majors: Embrace Your Computer’s Chaos” on The Aboard Podcast (September 2026); “AI Companies Shouldn’t Police Themselves” on The Aboard Podcast (September 2026); “AI Versus…Talking to People?” on The Aboard Podcast (September 2026); “Josh Tyrangiel: Media, Moats, and Middle School” on The Aboard Podcast (September 2026); “It’s Fun to Ship Software” on The Aboard Podcast (August 2026).

What They Said

“I just went to his version of Bach's Well-Tempered Clavier and I just listened to it top to bottom and it was a million times better than anything the computer could make. And it was a human being and it was a moment of connection... people are not gonna change after thousands of years just because the robot can whistle a happy tune.” — Paul Ford, The Aboard Podcast

Paul has been showing Rich a music generator he vibe-coded over the summer, including one that follows the rules of preludes and fugues. He rode his bike around listening to its output, then went home and put on Keith Jarrett's recording instead. He adds that he is not saying nothing matters except good art.

The Aboard Podcast · 2026-08-25 Permalink → Listen →
The Aboard Podcast Around 32:02 into the episode
Speaker 1

yeah so i programmed the rules of preludes and fugues into this box and i rode my bike around i listened to it for a long time some of them are pretty good they sounded kind of pretty they didn't kind of go anywhere and i went home you like keith jarrett right you love him

Speaker 2

i love keith jarrett

Speaker 1

okay keith jarret is fascinating pianist he plays both jazz and classical at an extremely high level yeah and i just went to his version of box well-tempered clavier and i just listened to it top to bottom and it was a million times better than anything the computer could make yeah and it was a human being and it was a moment of connection and now i'm telling you about it on the podcast and i i don't want to be like oh my god none of this really matters except for good art that's not what i'm saying yeah i'm just saying like the brain and the soul kind of goes in a direction and you're gonna people are not gonna change after thousands of years just because the robot can whistle a happy tune

Speaker 2

it's playing out yeah like we can see it uh people are drifting back to other ways to connect of other ways to connect this is very cool it's an i think it's it's a it's an artifact of your journey which i think is what's most fascinating i brought it

Speaker 1

into our internal product management tool which is called cadence the company's gonna eyeball it and then we'll put it out by the time this podcast is i

Speaker 2

think people will play with it and i think oh i'd love to see people build on it i think it would be very cool

Speaker names from our own diarization · position estimated from where the line sits in the episode
“The fantasy is that you will put enough information into the system and it will resolve it for you so that you can avoid talking to people who may or may not like or trust you... The fantasy that you're being sold is that the robot will do it for you and it's never going to work.” — Paul Ford, The Aboard Podcast

The episode is about employees sending long, legal-sounding AI-written complaints to HR instead of starting with a conversation. Paul's conclusion is that the tool cannot resolve a dispute between people, and that either way someone still has to talk to you.

The Aboard Podcast · 2026-09-08 Permalink → Listen →
The Aboard Podcast Around 26:54 into the episode
Paul Ford

I think what is, here's what I've been getting at throughout, and I wasn't quite sure where I was going with this. The fantasy is of resolution.

Rich Ziade

Yeah.

Paul Ford

The fantasy is that you will put enough information into the system and it will resolve it for you so that you can avoid talking to people who may or may not like or trust you or have to defend yourself or all of that. HR is scary. Where you feel just very unsure of yourself. Sure, sure, sure. The fantasy that you're being sold is that the robot will do it for you and it's never going to work. It's

Rich Ziade

never going to work.

Paul Ford

It's never going to work. It can do other things, but it will never resolve that for you. And so I think that that is, that's something that's got to get baked into culture: that this is not really a tool for resolving problems.

Rich Ziade

No, it looks like a killer move, and it's actually not.

Speaker names from our own diarization · position estimated from where the line sits in the episode
“A huge part of working with AI is trying to figure out how to use less of it to get more out. Like, what is the least of this I can use to get really good outputs?” — Paul Ford, The Aboard Podcast

Rich has compared large language models to using a riding mower on a tiny lawn. Paul agrees and adds that the good models are getting expensive, which sets up their discussion of a much smaller, faster model that picks from fixed options instead of chatting.

The Aboard Podcast · 2026-09-29 Permalink → Listen →
The Aboard Podcast Around 11:37 into the episode
Paul Ford

You could use a push mower just for that. And I think

Rich Ziade

that's where we are today. A lot of things we ask of AI.

Paul Ford

We keep, and actually a huge part of working with AI is trying to figure out how to use less of it to get more out. Like, what is the least of this I can use to get really good outputs? It's getting expensive. It is expensive, like to use the good stuff. So, okay. Okay. Now, and this is, so a huge story shows up in the AI world. A huge nerd story. If you're not in the AI world, you probably haven't heard of it. But John is a reporter working with this. He's like, what the hell is this thing? And it does. Is it huge? Yeah. Yeah, it's a really big story. So Jev, J-E-V, which is sort of for Javon's Paradox, which is that famous paradox that, you know, they thought they would use less coal, but they used more coal.

Rich Ziade

Yeah.

Paul Ford

Okay. Shows up, and it's from this company, TypeSafe. And it is, they call it a system one model. But here's what's different: you don't talk to it, you give it a set of options. You say, and the options are kind of yes, no, multiple choice, probabilities, things like that, numbers. And you say, okay, Jev, and you prompt it just like you would a LLM. You give it, you're like, hey, Jev, I got this document for you.

Rich Ziade

Yes.

Speaker names from our own diarization · position estimated from where the line sits in the episode
“The fundamental, just grumpy narcissism of humans is an incredibly good force when it is applied in an interesting way.” — Paul Ford, The Aboard Podcast

Rich worries that big enterprises will simply buy one cheap contract from a large AI lab. Paul answers that tens of millions of people want something other than two or three people deciding what happens with computers, and that people are too chaotic, greedy and discontented to let everything stay locked in. This is what makes him hopeful.

The Aboard Podcast · 2026-09-29 Permalink → Listen →
The Aboard Podcast Around 24:28 into the episode
Paul Ford

like i just like our our ability to be discontented and miserable and greedy far exceeds our willingness Willingness to be comfortable with this is what makes you hopeful. Yes. Yeah.

Rich Ziade

Yeah.

Paul Ford

I agree. The fundamental, just grumpy narcissism of humans is an incredibly good force when it is applied in an interesting way.

Rich Ziade

I agree with this. Yeah,

Paul Ford

that's that's what I see here. What I expect is near term, everyone's going to roll out their own version of these and so on. But what it did is it opened up a category of like, hey, wait a minute, this is a lot cheaper and faster. It does a lot of stuff I want. I'm a little tired of like, Claude 9.x is going to do the burberry. And you're like, I mean,

Rich Ziade

it seems like it's every month at this point.

Speaker names from our own diarization · position estimated from where the line sits in the episode
“It is the biggest thing in my life in terms of tech, but I just don't think it's as radical as like suddenly you can talk to anyone in the world.” — Paul Ford, Rosenfeld Review Podcast

Paul compares AI with the arrival of the telephone. Before the phone, he says, life in a Jane Austen novel was going down the road and coming back; then you could call someone 40 miles away. He grants that AI is new, vast and spreading faster than anything before it, and still ranks the phone system as the more radical change.

Rosenfeld Review Podcast · 2026-05-19 Permalink → Listen →
Rosenfeld Review Podcast Around 27:55 into the episode
Paul Ford

No, it's not. And that part's really hard. And the only non-violent revolution way to deal with that is the legislative process. And that's slow and it is not aligned with this level of change, even when it works.

Lou Rosenfeld

That's right.

Paul Ford

And it's global and it's different from country to country. The world's never seen anything like this. But, you know, you were talking earlier about the phone system. That was more radical. That was more radical. Like, I didn't have to, if you read like a Jane Austen novel, all they do is go down the street. They go down the road, they come back. They go down the road, they come back. And that's it. That's your whole life. Is you go to somebody's house and you have a little dance and then you get sick and then you go back to the other house and life happens around that. And now you could call and someone like 40 miles away, like a day or two, you could say, hey, what's it like on the other side of the mountain? And they'd be like, cold, right? That's just amazing. Like that, humanity had never seen anything like that. Humanity has seen a lot of things kind of like this, like things that answered questions when you typed in the box and so on. Just not, this is, it is new and it is vast and it does have a billion people in it faster than anything else. The speed is wild. But I think the foundational changes to our life, like literally, you would walk down the street and there were wires everywhere and suddenly everyone in the world was connected for the very first time through the wires. And this has been radical, but it's nowhere near that radical. It is the biggest thing in my life in terms of tech, but I just don't think it's as radical as like suddenly you can talk to anyone in the world.

Lou Rosenfeld

And hey, listen, you know, you and I have lived through mobile. We've lived through the advent of the web and some other things. And we're still here.

Paul Ford

We are. I think it's just so, it's hard to imagine. You know, also, I just kind of thought that we were done. You know, I looked at Bitcoin. I was like, all right, it's a nice swing for the fences there, fellas. NFTs. Yeah, exactly. NFTs, you're going to burn a lot of cycles. You'll try to create scarcity where there isn't. And I really did think it was kind of a little bit over, right? There wasn't any new revolution in tech that was on the way. And blockchain stuff just felt like such a swing and a mist to me from a tech point of view, maybe not from people from an economic point of view, but from a tech point of view, I'm like, you're wasting beautiful CPU cycles. Don't do it. They're too valuable. You could be making pictures. And now we do have something that truly is eating all the CPU cycles it could, but it's doing all sorts of new things. So I don't know. I really, I didn't see it coming.

Lou Rosenfeld

Well, all right. We got to wrap up, but I am, you've already given us your gift, so that's good. Even though it was earlier, I don't hold it against you too much. I'm a bad boy. Bad boy. I'm going to put you on the spot talking about language. Is there a word that kind of sums up how you feel about where we are at this point when it comes to AI? One word.

Speaker names from our own diarization · position estimated from where the line sits in the episode
“When it gets into that weird social relationship where it's telling you that was a good idea, that's actually where my alarm bells go off... The native buttering up of these technologies, I think is really dangerous.” — Paul Ford, Rosenfeld Review Podcast

Paul has described a system he built that runs business models and reports the numbers back. Its side effect, he says, is that it cannot flatter him: a bad idea that loses $500,000 a year gets reported as losing $500,000 a year. He compares AI praise to employees telling the boss an idea is good.

Rosenfeld Review Podcast · 2026-05-19 Permalink → Listen →
Rosenfeld Review Podcast Around 17:40 into the episode
Paul Ford

What if we spend another $2 million on marketing directly to doctors? And it'll kind of move the sliders around in its weird brain because it's just running a program. The outputs show up and it's like, here's what I think. And you can kind of get it to narrate that back to you. But you also get the stats. And so to me, these are ways of using this stuff where you never, I don't want to get far away from the process, the thinking process. It's my thinking process, not its. But boy, is it nice. I have it summarize the news every morning. And sometimes I have it just make up a weird product idea, run the business model and report back on how it did. It's never something I want to build. It's never good. But it's a way for me to keep thinking about the client and about their business, right? So there's ways to mess with this stuff where I think you get to move forward and you get to think your thoughts without letting it kind of take over. But

Lou Rosenfeld

there is a rule in there, right? The rule is you are not looking for it to do shortcuts for you. You're looking for it to be productive for you, but you're still doing the primary thinking. You're looking at it to create framework. I mean, a business model is just a framework like it is a program. Those are things that you've selected if you haven't come up with yourself. But I think most of us, I'll put my hand up here as guilty as charge is we are doing the shortcuts. We are okay with mediocre when, I mean, like, all right, I'll put it to you this way. There's, I do a lot of writing and I hate doing a lot of that writing. It's boring, it's tedious, and it's throwaway. And I use Gen AI to bring shitty shards of idea and information up to a mediocre average level. I wouldn't do that with important writing, but man, I'm so happy to do it with stuff that would take me an hour. Now takes me five minutes. Great. Is that the kind of shortcut that we should be avoiding because there's the slippery slope? Or what you think?

Paul Ford

I can't tell you what to do. I don't know. Like, I know what for me, I know what I feel comfortable doing for clients, right? Like, that's, I mean, I'll play with, I'll have it make a stupid image and drop it in the group chat or like I've explored all this stuff. But there's just like, for me, it's, you know, one of the number one tells for me. And this is where if we want to turn this to a rule, the system I just described to you, it's pretty abstract. Not everybody's going to want to build this way. Not everybody's going to work this way, but it has one amazing side effect is it's not sycophantic. It said, if I give it a bad business idea that generates negative 500. thousand dollars a year it says that generated negative five hundred thousand dollars a year and it can't be like wow what a good boy are you it has to acknowledge that right because the number is there that's what it's summarizing from so i would say that if you understand what it's generating and you know the context that you're using it it's a tool like any other it's a weird database But when it gets into that weird social relationship where it's telling you that was a good idea, that's actually where my alarm bells go off. Because anyone, you've been a boss, when anybody tells you it's a good idea and they work for you, you got to be careful because they might just be buttering you up. They might also think it's a good idea, but they might just be buttering you up. The native buttering up of these technologies, I think is really dangerous because, God, you always want to hear it, especially when you're a boss. When you're a boss, you just want somebody to say good job. And they're never going to say good job because you're the boss. Or you

Lou Rosenfeld

can't believe them.

Paul Ford

Yeah, you can't, right? And so, like, and it just kind of is a sucky thing about life that you have to kind of always keep a kind of neutral affect and be like, well, maybe it is good, but we're going to have to verify that, right? You have a successful publishing company because you have a metric for what is good. And somebody might come up to you and be like, it's the best book on XYZ I ever read, but you might know that it didn't sell as well as something else. And you have to kind of factor that in as you're processing all that information. You got this thing telling you you're smart all day long. And smart people want to hear that all day long. It's very dangerous. That part to me, having it generate, having it fill in a blank page that you kind of don't want to deal with. And then you go and you're like, all right, this is okay. Let's get it over the line. You know, talking to you guys do you publish a lot of stuff, like talking to the companies that print, right? Like having it like just sort of draft an email for you. I don't give

Lou Rosenfeld

me a quote. Give

Speaker names from our own diarization · position estimated from where the line sits in the episode
“The paragraphs are always the exact same length. They're very balanced. Everything is very smooth and they keep making it smoother and smoother... Thought is very jagged. It does not organize itself nicely into paragraphs... when it takes those rough edges away, you no longer can really see a mind at work.” — Paul Ford, Rosenfeld Review Podcast

Lou Rosenfeld asks Paul what rules he had for using AI before Claude Code arrived. Paul says he dropped most of them, but he still does not let AI write for him. This is his description of what AI-edited prose looks like next to a human manuscript.

Rosenfeld Review Podcast · 2026-05-19 Permalink → Listen →
Rosenfeld Review Podcast Around 09:41 into the episode
Paul Ford

This is a tricky one. First of all, I mean, AI as we mostly experience is made of language. So that's hard too, because it tends to dominate every conversation. You can't talk to anybody in technology now without talking about AI. Like it's just impossible. And so part of my last year has just been to kind of give up and just be like, all right, this is it. Like I fought for a little bit. I was like, I'm not going to let it write for me. And I don't. But like, I just had like a set of rules. And then Claude Code showed up. And I'm like, oh, boy, this is a little bit game over. You're not going to put, it's not that I lean into it and I go like, oh my God, here it is. We all have to get on board. Just, I just have a good sense. I think you do too. There's certain things that just won't go back in the box. And when Claude Code showed up, I was like, that won't be going back in the box. There's just no way that you can make coding radically easier in a world where coding is worth trillions of dollars and touches every aspect of society and people are going to be able to reject that. Like it's just going to go everywhere. And I think we're seeing that, right? You just, whether you like it or not or want it or not or whatever, this is an inescapable technology. So

Lou Rosenfeld

what were the rules that you had until Claude Code?

Paul Ford

Well, I think, so first of all, I was very against it doing any kind of research for me. I still don't let it write for me in any way. I just think that's important. I'm a writer. People increasingly, as I write for places, they ask for AI disclosure statements and things like that. And so it's, so I think it's happening more and more. And I think more and more professionals are getting used to writing with AI. Like, you know, people in the trades and people in industry are really taking it for granted that it's going to edit their work and help them summarize and so on. But you know what? I'll tell you what I noticed is just the paragraphs are always the exact same length. They're very balanced. Everything is very smooth and they keep making it smoother and smoother. And if you, if I threw you a manuscript right now that I'd written, you've looked at probably two trillion manuscripts in your life. So have I. And they're jagged. You just see thought. Thought is very jagged. It does not organize itself nicely into paragraphs. You do that later sometimes, but ultimately things have rough edges. And so when it takes those rough edges away, you no longer can really see a mind at work. And so I just feel like I have an implicit contract with anyone who might read me or listen to me that it would be my jagged, slightly broken, imperfect brain that doesn't have access to everything. And it sort of goes to like, what is language for, right? Like what do we communicate and read for? I mean, there's a lot of different theories. I have a very simple one, which is people read in order to understand, like to get access to tools and understand how to live their lives. And I think that even applies to like op-eds in the paper. Like you're reading. Fiction, maybe. No, I think that's right. You're looking for frameworks that you can apply in order to make sense of your own experiences. And so because of what AI is as a technology, it cannot do that. But what it can do is put out code. And so I would say like a rule that I had that I don't follow anymore. So the company follows it, but I don't. So the company that we have is sort of an AI consultancy, partially because we were building a bunch of... Aboard. Yeah. But we were, sorry, yes. Aboard.com. Go to it. It is a, it is, I forget to, I forget to market. I am the co-founder of it. We're a group of people who we've built a lot of products and we've built a lot of custom tools and a lot of acceleration things. But the reality is in a world where product is very easy to spin up, the relationship is getting more and more important. So we're leaning back into it as old agency people. Like, let's just help people because I. Can give you five CRMs before I leave this room. I don't need you. You don't need to hire me to implement the very special one. You need me to listen and understand what you need and then turn around software very quickly. So at work, we still review all the outputs very carefully. But if I'm hacking together a prototype, I don't look at the code inside. And I think like maybe a year ago, I would have said, of course, I will. Of course, I'll read every line. But the speed at which it produces pretty large platforms, cloud code in particular. I just want to see what's on the screen, look at the database outputs. But ultimately, it's become a better, not a better coder than many of the people I work with, but it's definitely a better coder than me. It's not a better hacker. Like I'm still good at putting stuff together. I'm good at product. But like from a like, you know, lines of JavaScript point of view, I think it's probably better than I. So

Lou Rosenfeld

better than you, but are you using it mostly for prototyping? Are you actually creating? No, I'm

Paul Ford

creating large complicated systems that, and, and so, you know, there's, it's all the classic rules. Like you limit your, your exposure to, uh, uh, you know, where can data come in? Where can what do, you know, what are sort of the post endpoints? Where can people log in? Where is authentication necessary? I think one good threshold would be I would have no problem releasing something vibe-coded that is essentially read-only, right? Like it doesn't have personal information. It's reading from a database of facts or articles or statements. Go ahead and throw that up because the worst thing that will happen is they'll just hack you and use your computer, right? They're not going to be able to get anybody's information. The minute personal information comes in, then it gets really serious. At the same time, like, you know, I'm never going to implement, just because of the way the web worked for the last 10 years, I'm never going to implement auth again. I'm going to use an external law server. I'm never going to implement payments again. I'm going to use Stripe. So the surface is actually, you can really narrow your risk when you're working with this stuff. And then you kind of can let it go and see what it comes up with.

Lou Rosenfeld

So what about agents in that whole risk scenario?

Speaker names from our own diarization · position estimated from where the line sits in the episode
“If the constraints aren't there, no one can perceive what you're doing. It's just more slop. That's what slop is. Slop is a slip out of the form that somebody's expecting.” — Paul Ford, The Aboard Podcast

Near the end of the Hobbes episode, Paul cites a line he attributes to William Morris, that you can't have art without resistance in the materials. He argues software used to be so expensive that its processes acted as a constraint, and that people no longer feel it. He goes on to say the fix is for people to assert the value of the form.

The Aboard Podcast · 2026-06-16 Permalink → Listen →
The Aboard Podcast Around 31:48 into the episode
Paul Ford

he hit a great line. And the line was, you can't have art without resistance in the materials. There it is. And you cannot have creativity without constraints. And it's not just that the constraints kind of give you a to-do list. The form and the structure of things are how people understand what you're doing. If I suddenly start singing a song right now, that would seem bananas. But if I said, Rich Ziade been composing funny little songs. I want you to hear a couple of them. You'd be like, all right, I'll evaluate based on what I think a song should sound like. Software was so expensive that we had zillions of processes to manage the costs because failure was a normal and natural constraint.

Rich Ziade

Yes.

Paul Ford

And we lived inside of that. And now people no longer feel that constraint. They don't feel it in making video and images and pros. But if the constraints aren't there, no one can perceive what you're doing. It's just more slop. That's what slop is. Slop is a slip out of the form that somebody's expecting. They're like, I thought that would be a nice picture of a girl, but her face is all kind of like, it's like a little glowy. It feels weird. And so I see it with the Hobbesianism. I think you don't even need the monarch. You just need people to start to assert the value of the form. And one of the forms that has value is good, simple software that doesn't have 8 million features, but is actually focused on a particular group of people achieving a shared goal.

Rich Ziade

Yes.

Paul Ford

And I think that right now, for all the power of these tools, they are not optimized for building that.

Speaker 4

We've

Speaker names from our own diarization · position estimated from where the line sits in the episode
“When somebody shows up with something, you go, oh, I kind of see the prompt that you did to do that. You didn't really build a system. You just slopped some words in a box. It's cool output. Good for you... but it doesn't do anything for me.” — Paul Ford, The Aboard Podcast

From an episode applying Hobbes to the AI moment, where everyone arrives at work with their own AI-built demo. Paul has just said that after going deep on vibe coding himself, he can no longer be impressed by anything people show him that they built with AI. He gives this as a reason everyone should use the tools, just to understand them.

The Aboard Podcast · 2026-06-16 Permalink → Listen →
The Aboard Podcast Around 17:12 into the episode
Paul Ford

So the pre-Hobbesian era means that... Okay, and we talk a lot about regulations and rules for AI. But this is a little different. This is like, wait a minute, everyone has been given this new power and there is no set of rules and guidance for it. And so they're kind of maximizing their own influence, their own ability to show off and impress others and take control and kind of gain a little territory using these tools. And look, most of us live in a society and we're doing it at work and we're saying, look, I made a PowerPoint deck in five minutes. Aren't I a good person? Boss is saying, hey, I want you to do more and more of that. And so we're in this state where we are just kind of manufacturing all this content that looks like the right stuff because that's going to make everybody think that we're really smart. And I do, I want to describe something that I see a lot of. And it's terrible because I decided to go in super, super deep on this stuff. And I vibe code all the time and I really wanted to understand it. I've written about it. I've talked about it. And there is this moment where you make something happen and you go, oh, I cracked it because it just used to take so long. And what it's meant is that whenever anybody demos me anything they built with AI, I can't be impressed.

Rich Ziade

You can't be.

Paul Ford

I can't. It's one of the number one reasons I think everyone should use these technologies just to understand them because what it means is when somebody shows up with something, you go, oh, I kind of see the prompt that you did to do that. You didn't really build a system. You just slopped some words in a box. It's cool output. Good for you. Yeah. Like if that's good for you, but it doesn't do anything for me. Yeah,

Rich Ziade

that's right. And

Paul Ford

then it's hard because they're actually, people are really hurt because you're essentially telling them their baby's ugly, even though it was a baby they gave birth to in about six hours instead of nine months. Yes. So anyway, we're in this pre-Hobbian state.

Rich Ziade

Yes, we are. There's a few things that have happened here. One, we're producing too much stuff. We had a prospect come to us, say, I have the requirements. I just need you to build it. She gave us, I kid you not, a dense 80-page requirements document. Clearly, she didn't write it. It was so complex and vast that no one read it. I told her, we're not going to read this. It's too much stuff.

Speaker names from our own diarization · position estimated from where the line sits in the episode
“The minute somebody starts saying you can parallelize this with lots of agents, you know you're in a pickle. Because that means more software, whereas absolutely no one outside of our world is actually sitting there saying, I need more software.” — Paul Ford, The Aboard Podcast

Paul is describing his own feature creep while building with AI: a visualization nobody needs becomes the most important thing in his life, then abstracting it into a library does. He uses it to argue that the tools make it easy to produce more software than anyone asked for.

The Aboard Podcast · 2026-07-14 Permalink → Listen →
The Aboard Podcast Around 10:06 into the episode
Paul Ford

And then while I'm working on that visualization, I realized that I could abstract it into a library so I could reuse it. And then you know what becomes the most important thing in my life?

Rich Ziade

Abstracting to the library.

Paul Ford

Building a library. Component of the library. And so, and because this enables it, the minute somebody starts saying, you know, you can parallelize this with lots of agents, you know, you're in a pickle. Yeah. Because that means more software, whereas absolutely no one outside of our world is actually sitting there saying, I need more software.

Rich Ziade

No.

Paul Ford

No one has ever said those words. No, let's

Rich Ziade

go back to the valley.

Speaker names from our own diarization · position estimated from where the line sits in the episode
“Code got a lot easier, but product did not.” — Paul Ford, The Aboard Podcast

Paul and Rich are discussing why the idea of a lone "AI unicorn" who builds a whole product alone is a fantasy. Rich has just said that building great software takes many skills that few people have all at once. This is Paul's one-line summary, and Rich answers "Bingo."

The Aboard Podcast · 2026-07-14 Permalink → Listen →
The Aboard Podcast Around 15:44 into the episode
Paul Ford

but enormous numbers of careers are downstream of it. Correct. What is it? Like two-thirds. If you're going to spend money on enterprise software, like you spend a dollar, you're going to spend $2 kind of supporting and maintaining and installing around that in the

Rich Ziade

tool. I gave issue one, which is building great software alone is really hard because there's a lot of different skills and discipline that are required and very few people have them all. I mean,

Paul Ford

the way I'm expressing this is that code got a lot easier, but product did not.

Rich Ziade

Bingo. But there's another problem, especially because the AI companies, because they're under enormous pressure to meet the X value expectations that they've put out in the world, they know they have to go to the next frontier, which is business software. They have to. Because there's just not enough money.

Paul Ford

This is why you hear about... So here's what's happened. The company Palantir, which is very AI adjacent. Adorable company. Oh, boy. Let's not talk about... Let's just leave it.

Rich Ziade

Cuties. Let's leave

Speaker names from our own diarization · position estimated from where the line sits in the episode
“You may think the hard part's behind you because you built something that used to take four months in a day, but it turns out the work is still ahead. Why? Because you're not the only one with that tool. Everybody's got it. And there's another ugly plot twist, which is that tool has absolutely no originality by design.” — Paul Ford, The Aboard Podcast

From an episode asking why so few new products are shipping even though AI has made building software much faster. Paul is talking about a founder who has just launched an AI-built online store. His point is that product quality and talking to customers are still the hard part.

The Aboard Podcast · 2026-08-11 Permalink → Listen →
The Aboard Podcast Around 18:03 into the episode
Paul Ford

And you sent Grady a pizza, he finished it off for you, and you're live. That's incredible. But the differentiating value of that initiative, the truth is, the tools are incredible, but the tools are extremely derivative, extremely opinionated, and can't help but lean on the other candle stores. And if you are lazy at the outset, when the idea is being conceived, you're going to end up doing work later to somehow get money. You're going to end up buying ads. You're going to end up doing other stuff, which is the problem. So,

Rich Ziade

nobody wants to hear the trillion-dollar companies aren't going to get big by telling you, hey, it's still a lot of work.

Paul Ford

Good product, high-quality experiences, engagement, which frankly requires you to go talk to people and ask them why it's not working for them, is still really hard. You may think the hard part's behind you because you built something that used to take four months in a day, but it turns out the work is still ahead. Why? Because you're not the only one with that tool. Everybody's got it. And there's another ugly plot twist, which is that tool has absolutely no originality by design. Because if it had a lot of originality, it would make some banana cake stuff. Well,

Rich Ziade

it'll throw you some serendipity.

Paul Ford

A little bit. And even the serendipity. Explain to the audience why it makes candle stores that look a lot like other candle stores.

Rich Ziade

It has metabolized all the candle stores in the world. Great explanation. It has eaten them all up and it's digested them. And now it is ready to poop out a candle store at any time.

Speaker names from our own diarization · position estimated from where the line sits in the episode
“I say, hey, Claude, I know you know about all the other candle stores. Do me a favor, veer off a little bit, take a swing. And it is like your uncle at karaoke. It is not good.” — Paul Ford, The Aboard Podcast

Paul Ford and Rich Ziade use a vibe-coded candle store as their example of why products built with AI tools look alike. Rich has just said the model has digested every candle store in the world. Paul describes what happens when he asks it for something original anyway.

The Aboard Podcast · 2026-08-11 Permalink → Listen →
The Aboard Podcast Around 18:34 into the episode
Paul Ford

A little bit. And even the serendipity. Explain to the audience why it makes candle stores that look a lot like other candle stores.

Rich Ziade

It has metabolized all the candle stores in the world. Great explanation. It has eaten them all up and it's digested them. And now it is ready to poop out a candle store at any time.

Paul Ford

And I've tried it. I say, hey, Claude, I know you know about all the other candle stores. Do me a favor, veer off a little bit, take a swing. And it is like your uncle at karaoke. It is not good. Even when you ask it to take a swing,

Rich Ziade

there's a way to work with this stuff where you can say, okay, we're going to start with the baseline of candle store. But I wanted to do, I want people to be able to come in and literally describe their moods by picking, you know, colors and or tell me how old they are. Yeah. And then I will have it do. Like, I could come up with a whole product and experience around your candle store.

Paul Ford

Yes.

Rich Ziade

At that point, and I've been doing this, I've been doing stuff like this. Yep. It is absolutely indistinguishable from classic product work and development. It's not.

Speaker names from our own diarization · position estimated from where the line sits in the episode

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